![]() Add and enable a user to Samba user for Authentication and access.Īdding the first sudo smbpasswd -a sudo smbpasswd -e bchoiĪdding the second sudo smbpasswd -a sudo smbpasswd -e hchoi Restart the Samba sudo systemctl restart smbdĤi. Add the content at the sudo nano /etc/samba/smb.confĤh. Modify the smb.conf file to include the following. Give the group read and write permissions to the new shared sudo chmod -R g+rw /sharedĤg. Create a new directory for file sharing and modify the sudo mkdir sudo chgrp -R myfamily /sharedĤf. Add users to the group, create new users as sudo usermod -aG myfamily sudo useradd sudo passwd – sudo usermod -aG myfamily hchoiĤe. Configure sudo nano /etc/samba/smb.confĤd. Step 4: Install Samba and configure your server.Ĥa. Step 3: Install your server on your old PC. Download the portable version for convenience. Step 2: Download Rufus and make a bootable image using an 8 GB USB stick. but since this will run as a file-sharing/backup server, it is OK to install the full Ubuntu Desktop. I considered Lubuntu, Mintos, PuppyOS, etc. Step 1: Download Ubuntu 20.04.02 Desktop version. I am using an old Intel NUC with a Celeron processor. This is the sole reason for setting up the file-sharing server on Linux. +++ Big Plus is… You can use the existing wireless network, so wireless is supported with this set-up.
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![]() The screen cap regulates the proportion of the screens for certain films. Since such policy exists only in Korea, reporters created the term “screen cap”. Before screen cap was used, screen quota existed in Korea in order to protect the domestic film industry against Hollywood films. This system forces the cinemas to show domestic films for a certain number of days. As the film industry in Korea developed, Korean blockbusters became the principal agent of monopoly as well as Hollywood films. In this context, the debate about adopting the screen cap emerged. In 2016, the bill that institutionalized the screen cap system came up, and now four bills are pending in the National Assembly. Among them, the Promotion of the Motion Pictures and Video Products Act was revised last April. The act suggests that in a multiplex cinema, the single film cannot occupy more than 50% of screens during prime time, from 1 pm to 11 pm. Park Yang-woo, the Minister of Culture, Sports and Tourism (MCST) stated the need for the introduction for the screen cap, saying the need to specify the periods of screening limit. Vertical Sequence of the Korean Film Industry () ![]() Screen monopoly refers to the phenomenon in which a few films occupy 50% to 70% of screens in a cinema. When screen monopoly occurs, screens are allocated to only a small number of films that guarantee the profit. There are, however, some differences regarding the principal agent of monopoly, between past and present times. In the past, the main agents of the monopoly were large-scale Hollywood film studios, because in the 1960s to 1970s, the film industry in Korea was smaller than that of Hollywood. Therefore, the main concern was the Hollywood films’ dominance of the Korean film industry. As the film industry in Korea grew the large-scale domestic film studios began to monopolize the industry. In turn, this led to the threat toward the independent and art film studios. In addition, vertical systematization has worsened the problem. Vertical systematization indicates that certain major companies take the most processes in the film industry. In the Korean film industry, most films are made, distributed, and shown by a few major conglomerate companies. For example, companies such as CJ and Lotte group own and operate the major production and distributing agencies CJ Entertainment and Lotte Entertainment, respectively. These companies show films they produced for their multiplex theaters, such as CGV and Lotte Cinema. That is, by allowing particular films to take up the majority of screens in their cinema, screen monopoly is worsening. The Battleship Island, produced and distributed by CJ group, monopolizing more than 2,000 screens among the total of 2,700 screens in Korea is a typical example of this problem. Marvel Studios’ The Avengers: End Game has recorded over 13 million views and become the most viewed foreign film in Korea. There were, however, critical voices attributing its’ success to the screen monopoly. As a result, interest in the “screen cap” has been increased, and heated debate is underway on whether to approve or reject it. The screen cap, first proposed in 2016, refers to a measure that limits the number of screens that a cinema assigns to a particular film by law, in order to prevent a certain film from monopolizing screens as it is now. In response, the SungKyun Times (SKT) will analyze the pros and cons of the screen cap and suggests directions to which the domestic film industry should move toward. |
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